The Album is here on 991Nation For Free, After sending shockwaves throughout the industry over the past week or so, J. Cole wants to go platinum once again with no features. Cole’s aggressive flow as well as the gritty production helps to grab the listener’s attention, and the same can be said for ‘Fire Squad’ where his much-publicised lyrics about the success of white Hip Hop & R’n’B artists included mentioning Eminem, Justin Timberlake, Iggy Azalea and Macklemore.J Cole Forest Hills Drive Youtube J. This, of course, mirrors Cole’s own situation that he faced growing up and he creates a vivid picture of such. On ‘A Tale Of 2 Citiez’ Cole speaks of the differences faced between a young man staying in his hometown trying to make money by any means, and another young man attempting to move on to bigger and hopefully better things by seeking higher education in a different city. This cannot be said for ‘2014 Forest Hills Drive’, as listeners are treated to a explosive change of direction from Cole, on back to back songs ‘A Tale Of 2 Citiez’ and ‘Fire Squad’.
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Download J Cole Forest Hills Drive AlbumĬriticism of his previous albums that only included production from Cole himself, came from the feeling that the bodies of work did not include enough peak points, allowing the record to just drift unnoticed from start to finish. Comes off as a great, experimental, and advancing mixtape, but it's insider to a fault, as slight as that fault might be. Later, 'No Role Modelz' mixes a tribute to the late actor James Avery ('Rest in peace Uncle Phil'), with a bubbling beat that's a variation on cloud-rap (co-produced by and ), and a snarky, snappy set of put downs that are like an elevated ('I don't want no bitch from reality shows/Out of touch with reality hos'), but all these flights of fancy fly freely since the album lacks an anchor. Key cut 'January 28th' puts gut-wrenching hard truths of the type ('What's the price for a black man's life?/I check the toe tag, not one zero in sight') next to wobbly wordplay that could have been lifted off some old LP ('Flow is bananas/Here, peel this back'), while 'Wet Dreamz' finds the producer offering a beat that's rather or inspired, and then slathering it in plush strings for a perfect single on an album that refuses singles.
Most importantly, it's admirable bordering on excellent, sure to inspire returning fans to herald it as a classic even if it doesn't woo the skeptical, casually wandering out of its intro with two smooth and soulful numbers that are so free, they're just shy of being clumsy. Named after the address of his childhood home in North Carolina, 's third studio effort was released with no supporting singles, and there are no featured artists, either, because is one of those personal, conceptual, and 'heavy' albums.